This important new study reassesses the position of Anton Webern in twentieth-century music. The twelve-note method of composition adopted by Anton Webern had profound consequences for composers of the next generation such as Stockhausen and Boulez, who saw Webern's music as revolutionary. In her de[...]

Anton von Webern's reputation as the originator of avant-garde music has conspired against a true recognition of one of the twentieth-century's greatest composer's. He was a pupil of Schoenberg and, like his teacher, he came to use the twelve-note method, but combined this with his love of chamber m[...]